'Brigadoon', 'Braveheart' and the Scots : Distortions of Scotland in Hollywood Cinema (Cinema and Society)

個数：

'Brigadoon', 'Braveheart' and the Scots : Distortions of Scotland in Hollywood Cinema (Cinema and Society)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    【重要ご説明事項】
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版／ページ数 224 p.
  • 言語 ENG
  • 商品コード 9781860649271
  • DDC分類 791.4362411

Full Description

The films "Brigadoon" and "Braveheart" have an enormous resonance both for Scots throughout the world and the wide audience of non-Scots for whom such films provide general impressions of "Scottishness". This provocative book discusses the films' representations of Scotland and the Scots, looking at that cluster of images and stories whereby Scotland is (mis)recognized and yet often comes to be "known". Colin McArthur explores "Brigadoon" and documents the contempt the film has elicited, particularly from the Scots intelligentsia. He succumbs to "Brigadoon's" charm, but finds no such mitigating features in "Braveheart". Tracing the film's appropriation by political, touristic and sporting figures, he argues that, far from being "about" Scottish history, it is primarily "about" Hollywood and its cinematic traditions. He looks at the way film distorts history and examines "Braveheart's" sinister appeal to the proto-fascist psyche.

Contents

List of Illustrations vi General Editor's Introduction viii Acknowledgements x Introduction 1 1 Where Did Brigadoon Come From? 7 2 Brigadoon and the Broadway Musical 32 3 Brigadoon and Metro-Goldwyn-Mayer 65 4 Marketing, Using and Abusing Brigadoon 94 5 Scotland and the Braveheart Effect 123 6 Braveheart: A (Quasi-)Barthesian Reading in Slow Motion 137 7 'No' a Fuckin' Dry Eye in the Hoose': Braveheart's 'Gift of a Thistle' Sequence 160 8 'That's Show Business!': The 'What' and 'Why' of Braveheart's Historical Distortions 178 9 It Takes One to Know One: Braveheart's Appeal to the Proto-Fascist Psyche 192 Epilogue 209 Bibliography 213 Index of Films 219 General Index 223