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基本説明
Drawing on the cognitive psychology and linguistics of George Lakoff and Mark Johnson, this book provides unusual access to the ways in which spectators in the Cold War years projected themselves into stage figures that gave them pleasure.
Full Description
In this study, Bruce McConachie uses the primary metaphor of containment - what happens when we categorize a play, a television show, or anything we view as having an inside, an outside and a boundary between the two - as the dominant metaphor of Cold War theatre-going.