カルト・テレビ、産業とファン<br>Quality Popular Television : Cult Tv, the Industry, and Fans

カルト・テレビ、産業とファン
Quality Popular Television : Cult Tv, the Industry, and Fans

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 240 p.
  • 言語 ENG
  • 商品コード 9780851709413
  • DDC分類 791

Full Description


Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts most of cinema to shame. Quality Popular Television looks at this new category of 'cult' television (mostly US-produced) and the reasons for its emergence. Looking at shows as diverse as Ally McBeal, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen the book examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. This important new book provides an invaluable window on transformations in contemporary television culture.

Contents

1. Introduction, Mark Jancovich and James Lyons Part OneNetworks and Programming 2. Vertical Vision: Deregulation, Industrial Economy and Prime-Time Design Jennifer Holt 3. Must See TV: Programming Identity on NBC Thursdays, Nancy San Martin 4. The Changing Face of American Television Programmes on British Screens, Paul Rixon Part Two: 'Content is King': Formats, Shows and Events 5. Transnational Context to Long-Format Special-Event Television: Branding Networks, John McMurria 6. Must See Queer TV: History and Serial Form in Ellen, Anna McCarthy 7. 'You're not going to see that on TV': Star Trek: The Next Generation in Film and Television, Roberta E. Pearson and Maire Messenger-Davies 8. Brave New Buffy: Rethinking 'TV Violence', Lisa Parks Part Three: Commodity Audiences: Cults, Fans and Dedicated Audiences 9. Martial Law and the Changing Face of Martial Arts on US Television, Andrew Willis 10. Superman on the Set: The Market, Nostalgia, and Television Audiences, Ian Gordon 11. Web Wars: Resistance, Online Fandom and Studio Censorship, Sara Gwenllian-Jones Afterword 12. What is Television For?, Alan McKee