基本説明
New in paperback. Hardcover was published in 2001. By surveying what it selected as western music, this book covers much of the acoustics a student needs, without mathematics or scientific background.
Full Description
Covers much of the acoustics a student needs, without mathematics or scientific background.
Choice Outstanding Academic Title
A survey of intervals and scales, tone pitch, loudness and time in Western music raises many questions about the hearing mechanism and throws doubt on the conventional role of harmonics. James Beament's account of how musical sounds are coded by the ear and the brain's processing units, provides answers to most of these questions. It concludes that music started with simple instruments which voices imitated, and that the need to know sound direction determined the characteristics of hearing. This book will interest students, practising musicians and music psychologists, and assumes no scientific knowledge. The late ProfessorSir JAMES BEAMENT was a distinguished scientist and musician, who taught and examined music students at Cambridge University.
Contents
Part 1 Preliminaries. Part 2 Aural archaeology. Part 3 Hearing selects intervals. Part 4 The beguiling harmonic theory. Part 5 The imitating voice. Part 6 Hearing simultaneous pitches. Part 7 Patterns in harmony. Part 8 Loudness: the basic dynamic scale. Part 9 Music through the hearing machine. Part 10 A sense of direction. Part 11 Time and rhythm. Part 12 Conclusions.
