アパルトヘイト終焉後の南アフリカにおける視覚文化と公的記憶<br>History after Apartheid : Visual Culture and Public Memory in a Democratic South Africa

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アパルトヘイト終焉後の南アフリカにおける視覚文化と公的記憶
History after Apartheid : Visual Culture and Public Memory in a Democratic South Africa

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  • 製本 Hardcover:ハードカバー版/ページ数 384 p.
  • 言語 ENG
  • 商品コード 9780822330608
  • DDC分類 709.6809045

基本説明

Analyzes how, in the midst of the momentous shift to an inclusive democracy, South Africa's visual and material culture represented the past while at the same time contributing to the very process of social transformation.

Full Description

The democratic election of Nelson Mandela as president of South Africa in 1994 marked the demise of apartheid and the beginning of a new struggle to define the nation's past. History after Apartheid analyzes how, in the midst of the momentous shift to an inclusive democracy, South Africa's visual and material culture represented the past while at the same time contributing to the process of social transformation. Considering attempts to invent and recover historical icons and narratives, art historian Annie E. Coombes examines how strategies for embodying different models of historical knowledge and experience are negotiated in public culture—in monuments, museums, and contemporary fine art.History after Apartheid explores the dilemmas posed by a wide range of visual and material culture including key South African heritage sites. How prominent should Nelson Mandela and the African National Congress be in the museum at the infamous political prison on Robben Island? How should the postapartheid government deal with the Voortrekker Monument mythologizing the Boer Trek of 1838? Coombes highlights the contradictory investment in these sites among competing constituencies and the tensions involved in the rush to produce new histories for the "new" South Africa.

She reveals how artists and museum officials struggled to adequately represent painful and difficult histories ignored or disavowed under apartheid, including slavery, homelessness, and the attempted destruction of KhoiSan hunter-gatherers. Describing how contemporary South African artists address historical memory and the ambiguities uncovered by the Truth and Reconciliation Commission, Coombes illuminates a body of work dedicated to the struggle to simultaneously remember the past and move forward into the future.

Contents

List of Illustrations ix

Acknowledgments xiii

List of Abbreviations xvii

Introduction: Making History Memorable 1

1. Translating the Past: Apartheid Moments in Postapartheid South Africa 19

2. Robben Island: Site of Memory/Site of Nation 54

3. District Six: The Archaeology of Memory 116

4. New Histories for Old: Museological Strategies 149

5. What's in a Name? The Place of "Ethnicity" in the "New" South Africa 206

6. New Subjectivities for the New Nation 243

Epilogue: Changing Places 279

Notes 297

Bibliography 339

Index 355