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Full Description
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
Contents
Chapter 1 Osborne's Phallic Art; Part 1 I; Chapter 2 Rise to the Top, 1956-1963; Chapter 3 Look Back in Anger (1956); Chapter 4 The Entertainer (1957); Chapter 5 Luther (1961); Part 2 II; Chapter 6 At the Top, 1964-1971; Chapter 7 Inadmissible Evidence (1964); Chapter 8 A Patriot for Me (1965); Part 3 III; Chapter 9 The Long Descent, 1972-1994; Chapter 10 A Sense of Detachment (1972); Chapter 11 Watch It Come Down (1976); Chapter 12 Déjàvu (1992);