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Full Description
A study of Anton Arrufat's play, "Seven Against Thebes", using critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 1960s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' "Seven Against Thebes". The volume also contains an interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.
Contents
El case se investiga - el "caso Arrufat"; tres contextos artistico-literarios a "Los siete contra Tebas"; texto y contexto en la recepcion y genesis de "Los siete contra Tebas"; heteroglosia y subversion en "Los siete contra Tebas"; subversion desde los discrusos non-verbal y verbal de "Los siete contra Tebas"; repaso final - Vigencia y utopia de "Los siete contra Tebas"; en claro - entrebambalinas - Anton Arrufat habla sobre "Los siete contra Tebas".