The New Avengers (Inside Popular Film)

個数:

The New Avengers (Inside Popular Film)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 304 p.
  • 言語 ENG
  • 商品コード 9780719059056
  • DDC分類 791.43655

Full Description

A study of the rape-revenge film, in which Jacinda Read suggests that the rape-revenge cycle can be read as one of the primary ways in which Hollywood has attempted to make sense of feminism and the changing shape of heterosexual femininity in the post-1970 period. Arguing that rape-revenge is better understood not as a genre, but as a narrative structure, the author analyzes the ways in which various deployments of this structure rework the "mass cultural fictions of femininity" inscribed in the genres over which they have been mapped. From the "frontier femmes" of rape-revenge westerns such as "Hannie Caulder", through the "erotic avengers" of neo-noirs such as "Batman Returns", to the "maternal avengers" of rape-revenge melodrama such as "An Eye for an Eye", this work explores the popular understandings of feminism that circulate around these generic manifestations of the female avenger. Applying ideas from feminist cultural studies to the analysis of film, and combining detailed textual analysis with contextual analysis, the book challenges many of the received orthodoxies of feminist theory.

Contents

Part 1 Introduction - feminism and popular culture - the structure of the book: narratives of transformation - the rape-revenge cycle; from romance to revenge - sleeping with the enemy. Part 2 "Pre-feminism": rape-revenge and mass cultural fictions of femineity - the silent era to 1970, rape, the silent era - 1915-1929, the sound era - 1930-1970, rapists and their victims, transformation, revenge. Part 3 "Feminism": popular film/popular feminism - the critical reception of the rape-revenge film - "The Accused", "Thelma and Louise"; frontier femmes -rape-revenge and the western variations on vengeance - frontier femmes and the "vengeance variation", hard women and soft men - post-modernism, post feminism and backlash. Part 4 "Post-feminism": rape-revenge in post-modern Hollywood - having it all - "The Last Seduction", of vamps and avengers - "Batman Returns"; from feminism to family values - the maternal avenger - the maternal avenger and the vigilante-mom made-for-TV film, melodrama and the maternal avenger. Conclusion: textual and theoretical negotiations. Filmography of primary and secondary texts.