ギリシア悲劇における女性の行為<br>Female Acts in Greek Tragedy (Martin Classical Lectures)

個数:

ギリシア悲劇における女性の行為
Female Acts in Greek Tragedy (Martin Classical Lectures)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 424 p.
  • 言語 ENG
  • 商品コード 9780691094922
  • DDC分類 882.0109352042

基本説明

New in paperback. Hardcover was published in 2001. Shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis.

Full Description

Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have struggled to explain this seeming contradiction. Helene Foley shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis. She investigates three central and problematic areas in which tragic heroines act independently of men: death ritual and lamentation, marriage, and the making of significant ethical choices. Her anthropological approach, together with her literary analysis, allows for an unusually rich context in which to understand gender relations in ancient Greece. This book examines, for example, the tragic response to legislation regulating family life that may have begun as early as the sixth century. It also draws upon contemporary studies of virtue ethics and upon feminist reconsiderations of the Western ethical tradition.
Foley maintains that by viewing public issues through the lens of the family, tragedy asks whether public and private morality can operate on the same terms. Moreover, the plays use women to represent significant moral alternatives. Tragedy thus exploits, reinforces, and questions cultural cliches about women and gender in a fashion that resonates with contemporary Athenian social and political issues.

Contents

Acknowledgments ix Introductory Note and Abbreviations xi Introduction 3 I. The Politics of Tragic Lamentation 19 II. The Contradictions of Tragic Marriage 57 III. Women as Moral Agents in Greek Tragedy 107 III.1. Virgins, Wives, and Mothers; Penelope as Paradigm 109 III.2. Sacrificial Virgins: The Ethics of Lamentation in Sophocles' Electra 145 III.3. Sacrificial Virgins: Antigone as Moral Agent 172 III4. Tragic Wives: Clytemnestras 201 III.5. Tragic Wives: Medea's Divided Self 243 III.6. Tragic Mothers: Maternal Persuasion in Euripides 272 IV Anodos Dramas: Euripides' Alcestis and Helen 301 Conclusion 333 Bibliography 339 General Index 369 Index Locurum 387