ベンヤミン『パッサージュ論』(英訳)<br>The Arcades Project

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ベンヤミン『パッサージュ論』(英訳)
The Arcades Project

  • ウェブストア価格 ¥6,956(本体¥6,324)
  • The Belknap Press(2002/03発売)
  • 外貨定価 US$ 40.00
  • ゴールデンウィーク ポイント2倍キャンペーン対象商品(5/6まで)
  • ポイント 126pt
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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 1088 p.
  • 言語 ENG
  • 商品コード 9780674008021
  • DDC分類 944.361081

基本説明

New in paperback. Hardcover was published in 1999. The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years-"the theater", as Benjamin called it, "of all my struggles and all my ideas."

Full Description

"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."

Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.

The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

Contents

Translators' Foreword Exposes "Paris, the Capital of the Nineteenth Century" (1935) "Paris, Capital of the Nineteenth Century" (1939) Convolutes Overview First Sketches Early Drafts "Arcades" "The Arcades of Paris" "The Ring of Saturn" Addenda Expose of 1935, Early Version Materials for the Expose of 1935 Materials for "Arcades" "Dialectics at a Standstill," by Rolf Tiedemann "The Story of Old Benjamin," by Lisa Fittko Translators' Notes Guide to Names and Terms Index