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基本説明
This study argues that Burke's influential early writings on aesthetic are intimately connected to his politics.
Full Description
This pioneering study of Burke's engagement with Irish politics and culture argues that Burke's influential early writings on aesthetics are intimately connected to his lifelong political concerns. The concept of the sublime, which lay at the heart of his aesthetics, addressed itself primarily to the experience of terror, and it is this spectre that haunts Burke's political imagination throughout his career. Luke Gibbons argues that this found expression in his preoccupation with political terror, whether in colonial Ireland and India, or revolutionary America and France. Burke's preoccupation with violence, sympathy and pain allowed him to explore the dark side of the Enlightenment, but from a position no less committed to the plight of the oppressed, and to political emancipation. This major reassessment of a key political and cultural figure will appeal to Irish studies and Post-Colonial specialists, political theorists and Romanticists.
Contents
Introduction: Edmund Burke and the colonial sublime; Part I. The Politics of Pain: 1. 'This King of Terrors'; Edmund Burke and the aesthetics of executions; 2. Philoctetes and colonial Ireland: the wounded body as national narrative; Part II. Sympathy and the Sublime; 3. The sympathetic sublime: Edmund Burke, Adam Smith and the politics of pain; 4. Did Edmund Burke cause the great Famine? Political economy and colonialism; Part III. Colonialism and Enlightenment: 5. 'Tranquillity tinged with terror': the sublime and agrarian insurgency; 6. Burke and colonialism: the enlightenment and cultural diversity; Part IV. Progress and Primitivism: 7. 'Subtilised into savages': Burke, progress and primitivism; 8. 'The return of the native': The United Irishmen, culture and colonialism.
