Poetry and Music in Medieval France : From Jean Renart to Guillaume de Machaut (Cambridge Studies in Medieval Literature)

個数：

Poetry and Music in Medieval France : From Jean Renart to Guillaume de Machaut (Cambridge Studies in Medieval Literature)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    【重要ご説明事項】
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版／ページ数 398 p.
  • 言語 ENG
  • 商品コード 9780521622196
  • DDC分類 841.1

Full Description

In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture.

Contents

List of illustrations; List of tables; List of music examples; Acknowledgments; Bibliographical note; List of abbreviations; Prologue; Part I. Text and Performance: 1. Song and written record in the early thirteenth century; 2. The sources of song: chansonniers, narratives, dance-song; 3. The performance of song in Jean Renart's Rose; Part II. The Boundaries of Genre: 4. The refrain; 5. Refrains in context: a case study; 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing; Part III. The Location of Culture: 7. 'Courtly' and 'popular' in the thirteenth century; 8. Urban culture: Arras and the puys; 9. The cultural contexts of Adam de la Halle; Part IV. Modes of Inscription: 10. Songs in writing: the evidence of the manuscripts; 11. Chante/fable: Aucassin et Nicolette; 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146; Part V: Lyric and Narrative: 13. The two Roses: Machaut and the thirteenth century; 14. Rewriting song: chanson, motet, salut, and dit; 15. Citation and authorship from the thirteenth to the fourteenth century; Part VI. Envoy: The New Art: 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut; Epilogue; Glossary; Appendix; Bibliography.