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基本説明
Examines the aftershocks of the Chinese vernacular reform movement as expressed in early twentieth-century autobiography.
Contents
A new strategy for autobiographical narratives : Chen Hengzhe's writing of aurality -- Fragmented subjectivities : a reconsideration of women's literary mirrors -- Nationalism and the gestural system of self-expression -- Names and destiny : Hu Shi's andLu Xun's self-nomination through autobiography -- A moral landscape : reading Shen Congwen's autobiography and travelogues.