パフォーマンス研究読本<br>The Performance Studies Reader

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パフォーマンス研究読本
The Performance Studies Reader

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  • 製本 Hardcover:ハードカバー版/ページ数 320 p.
  • 言語 ENG
  • 商品コード 9780415302401
  • DDC分類 791

基本説明

Provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies.

Full Description


The Performance Studies Reader is a lively and much-needed anthology of critical writings on the burgeoning discipline of performance studies. It provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies. The collection is designed as a companion to Richard Schechner's popular Performance Studies: an Introduction (Routledge, 2002), but is also ideal as a stand-alone text. Henry Bial collects together key critical pieces from the field, referred to as 'suggested readings' in Performance Studies: an Introduction . He also broadens the discussion with additional selections. The structure and themes of the Reader closely follow those of Schechner's companion textbook. The articles in each section focus particularly on three primary areas in performance studies, theatre, anthropology and sociology/cultural studies.

Contents

What is performance studies?, Ronald J. Pelias, James VanOosting, Richard Schechner, Jill Dolan, W.B. Worthen, Dwight Conquergood and Barbara Kirschenblatt; what is performance?, Clifford Geertz, Marvin Carlson, Erving Goffman, Allan Kaprow and Richard Schechner; ritual, Catherine Bell, Victor Turner, Eugene D. d'Aquili, Charles D. Laughlin Jr., John McManus, Jane Van Lawick-Goodall and Margaret Thompson Drewal; play, Johan Huizinga, Gregory Bateson, Mihaly Csikszentmihalyi, Brian Sutton-Smith and Don Handelman; performativity, J. Austin, John Searle, Jacques Derrida, Judith Butler, Andrew Parker and Eve Kosofsky Sedgwick; performers, Michael Kirby, A.F. Ansimov, Jane Belo, Bertolt Brecht and Jerzy Grotowski; performance processes, Marco De Marinis, Isadore Okepewho, Vsevolod Meyerhold and Kenneth E. Read; global and intercultural performance, Victor Turner, Edie Turner, Homi K. Bhabha, Eugenio Barba, Patrice Pavis, Guillermo Gomez-Pena.