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基本説明
演劇、人類学、社会学を含む諸ディシプリンにおける「パフォーマンス」概念への注目を経て、独立した研究分野として定着したパフォーマンス研究。本書は、最近20年間の欧米の批評文献から、概念的基礎、理論的概観のみならず、言語、美術、演劇、文化、社会、政治、歴史、科学などに及ぶパフォーマンス研究の学際的応用の射程を示す文献を一挙に集成する。受容の遅れている日本において、まず求められるべき基礎文献集といえる。編者による序文と総合索引を含む。
Full Description
Over the past twenty years, 'performance' has emerged as a central analytical and critical concept. Now the focus of a burgeoning academic discipline, performance studies, it is also crucial to many other fields, including anthropology, sociology, communications, art history, cultural studies, linguistics and rhetoric. This collection brings together major texts articulating perspectives on performance and performativity.
The multi-disciplinary approach of this collection reflects the growing importance of the concept of performance across a variety of disciplines. With a new introduction contextualising the concept's rise, and a full index to guide the reader through the work, this will be an invaluable reference tool for students and researchers alike.
Contents
Volume I
Part I. Foundations and Definitions
Part II: Elements and Circumstances of Performance
Volume II
Part I: Representation
Part II: Textuality
Part III: Bodies
Part IV: Audiences/Spectatorship
Part V: Culture
Volume III
Part I: Science and Social Science
Part II: History, Politics, Political Economy
Volume IV
Part I: Identity and the Self
Part 2: Visual Art and Performance Art
Part 3: Media and Technology