基本説明
New in paperback. Hardcover was published in 2000. Provides a detailed examination of the careers of 8 prominent German composers who lived and worked among the dictatorship of the Third Reich. Kater concludes the composers' different responses to the Nazi regime.
Full Description
How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate?
Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime - and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany.
Contents
Preface ; 1. Werner Egk: The Enigmatic Optimist ; 2. Paul Hindemith: The Reluctant Emigre ; 3. Kurt Weill: A Survivor on Two Continents ; 4. Karl Amadeus Hartmann: The Composer as Dissident ; 5. Carl Orff: Man of Legend ; 6. Hans Pfitzner: Magister Teutonicus Miser ; 7. Arnold Schoenberg: Musician of Contrasts ; 8. Richard Strauss: Jupiter Compromised ; Conclusion ; Notes ; Index
