- ホーム
- > 洋書
- > ドイツ書
- > Social Sciences, Jurisprudence & Economy
- > Politics, Society, Work
- > miscellaneous
Full Description
This book is a study of how transfictional and transmedia storytelling emerges in the nineteenth century and how the period's receptive practices anticipate the receptive practices of fandom and transmedia storytelling franchises in the twentieth and twenty-first centuries. The central claim is that the serialized, periodical, and dramatic media environment of the late eighteenth century through the nineteenth century in Great Britain trained audiences to perceive the continuous identity of characters and worlds across disparate texts, illustrations, plays, and songs by creators other than the earliest originating author. The book contributes to fan studies, transmedia studies, and nineteenth-century periodical studies while also interrogating the nature of fictional character.
Contents
1. Introduction: From Novel Studies to Fan Studies.- 2. Pickwick Abroad (1837-1838): Transfictional Character as
Permanent Object .- 3. Jack Sh Sheppard (1839-1840): Class and Complex Transfictional Character.- 4. Trilby (1894) in the Marketplace: fin de siècle Merchandising and Transfictional Character as Branded Object.- 5. Sherlock Holmes (1887-1930) and Believing in Character.- 6. Afterword.