Stanley Kubrick Produces

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Stanley Kubrick Produces

Fenwick, James

ウェブストア価格 ¥16,094（本体¥14,631）
Rutgers University Press（2020/12発売）
外貨定価 US$ 81.95
ポイント 146pt

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製本 Hardcover:ハードカバー版／ページ数 266 p.
言語 ENG
商品コード 9781978814882
DDC分類 791.430232092

Full Description

Stanley Kubrick Produces provides the first comprehensive account of Stanley Kubrick's role as a producer, and of the role of the producers he worked with throughout his career. It considers how he first emerged as a producer, how he developed the role, and how he ultimately used it to fashion himself a powerbase by the 1970s. It goes on to consider how Kubrick's centralizing of power became a self-defeating strategy by the 1980s and 1990s, one that led him to struggle to move projects out of development and into active production.

Making use of overlooked archival sources and uncovering newly discovered 'lost' Kubrick projects (The Cop Killer, Shark Safari, and The Perfect Marriage among them), as well as providing the first detailed overview of the World Assembly of Youth film, James Fenwick provides a comprehensive account of Kubrick's life and career and of how he managed to obtain the level of control that he possessed by the 1970s. Along the way, the book traces the rapid changes taking place in the American film industry in the post-studio era, uncovering new perspectives about the rise of young independent producers, the operations of influential companies such as Seven Arts and United Artists, and the whole field of film marketing.

Contents

            Introduction

            Part I   The Emergence of a Film Producer 1928-1955

1          The Beginning, 1928-1951

2          The Unknown Early Years, 1951-1953

3          The New York 'Film School', 1953-1955

Part II The Harris-Kubrick Pictures Corporation 1955-1962

4          The New UA Team, 1955-1956

5          New Modes of Producing, 1957-1959

6          Swords, Sandals, Sex and Soviets, 1959-1962

Part III Polaris Productions and Hawk Films 1962-1969

7          The Establishment of a Producing Powerhouse, 1962-1964

8          Kubrick versus MGM, 1964-1969

            Part IV The Decline of a Film Producer 1970-1999

9          Kubrick and Warner Bros., 1970-1980

10        The End, 1980-1999

            Epilogue

Appendix I: World Assembly of Youth credits

Appendix II: Filmography

Acknowledgements

About the Author

Notes

Index