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基本説明
Demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representaions.
Full Description
In a film business increasingly transnational in its production arrangements and global in its scope, what space is there for culturally English filmmaking? In this groundbreaking book, Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He looks at the industrial circumstances of the film business in the UK, government film policy and the emergence of the UK Film Council. He examines several contemporary 'English' dramas that embody the transnationalism of contemporary cinema, from 'Notting Hill' to 'The Constant Gardener'. He surveys the array of contemporary fiction that has been re-worked for the big screen, and the pervasive - and successful - Jane Austen adaptation business. Finally, he considers the period's diverse films about the English past, including big-budget, Hollywood-led action-adventure films about medieval heroes, intimate costume dramas of the modern past, such as 'Pride and Prejudice', and films about the very recent past, such as 'This is England'.
Contents
Introduction
Chapter One
Film production in the UK in the 1990s and 2000s
Chapter Two
Film policy and national cinema: cultural value and economic value
Chapter Three
English cinema, transnationalism and globalisation
Chapter Four
English literature, the contemporary novel and the cinema
Chapter Five
Jane Austen: "The hottest scriptwriter in Hollywood"
Chapter Six
The Austen screen franchise in the 2000s
Chapter Seven
Intimate and epic versions of the English past
Chapter Eight
Blurring boundaries: historical myopia and period authenticity
Conclusion
Filmography
Bibliography
Index
