- ホーム
- > 洋書
- > 英文書
- > Literary Criticism
基本説明
Studies the work of four writers (Mouland Feroan, Assia Djebar, Albert Memmi and Abdelkébir Khatbibi) and reveals their complex relationship to language.
Full Description
This book offers an in-depth study of the autobiographical writings of four twentieth-century writers from North Africa, Assia Djebar, Mouloud Feraoun, Abdelkebir Khatibi and Albert Memmi, as they explore issues of language, identity and the individual's relationship to history. The book places these writers in a clearly defined theoretical context, introducing and contextualising each of the four through the application of postcolonial studies and literary theory on autobiography linked to close textual reading of their works. Avoiding both psychoanalytical theory and approaches concerned primarily with the writer's 'testimony value', Kelly concentrates instead on the poetic and literary qualities of each author's work, dwelling on the politics and poetics of identity, as well as the ethics and aesthetics of this literature. She includes clear discussions of key terms such as 'postcolonial', 'Francophone', and 'autobiography', which current academic discourse has rendered very complex and even opaque. The book includes a fascinating photograph of two stone tablets inscribed with Punic and Numidian scripts, now held in the British Museum, which Assia Djebar writes about at length in one of the texts studied in the book.
Contents
AcknowledgementsCopyright AcknowledgementsIntroduction: A Place in the Word1 Life/Writing in the Colonial and Postcolonial ContextsAutobiography, Autobiographical Expression, Fictions of IdentityPostcolonial Studies, The Post Colonial Subject and Motivated Reading Studies2 Mouloud Feraoun: Life Story, Life-Writing, HistoryNaming the Poor Man's Son: Identity and the Colonised Subject in 'Le Fils du pauvre'Poverty, Knowledge and Self-KnowledgeA Dialogue with Self and Others: 'Lettres a ses amis'Witnessing History, the Self as Witness: Journal 1955-1962. p.3 Albert Memmi: Fictions of Identity and the Quest for TruthNegotiating a Jewish Identity: the Stationary NomadPoverty, Self-Knowledgeand Political Knowledge in 'La Statue de sel' p.The Self as Writer in 'Le Scorpion ou la confession imaginaire'4 Abdelkebir Khatibi: The Deciphering of Memory and the Potential of Postcolonial IdentityWriting and the Multiple Discourses of SelfhoodMemory, Myth and the Postcolonial Subject in 'La Memoire tatouee'Writing strategies and the Deciphering of a 'Tattoed Memory'5 Assia Djebar: History, Selfhood and the Possession of KnowledgeThe (Re-) Possession of Knowledge and the Relationship to History in 'L'Amour, la fantasia'Myth, Metaphor and the Power of LanguageExile, the History or Writing and the Quest for Liberation in 'Vaste est la Prison'Love and Self-knowledgeThe History of writingKnowledge and SelfhoodConclusion: A Place in the WorldNotesBibliographyIndex
