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基本説明
Burry argues that twentieth-century adaptations (which he calls "transpositions") of four of Dostoevsky's works - Sergei Prokofiev's opera The Gambler, Leos Janacek's opera From the Dead House, Akira Kurosawa's film The Idiot, and Adrzej Wajda's drama The Devils - follow Dostoevsky's texts rather than by slavishly attempting to re-create their sources.
Full Description
Argues that twentieth-century adaptations of four of Dostoevsky's works - Sergei Prokofiev's opera The Gambler, Leos Janacek's opera From the Dead House, Akira Kurosawa's film The Idiot, and Adrzej Wajda's drama The Devils - bring to light under developed or unappreciated aspects of Dostoevsky's texts rather than by slavishly attempting to recreate their sources.