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基本説明
"A must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom."--Vivian Sobchack, author of Carnal Thoughts.
Full Description
In the fall of 1957 the University of California Press expanded Arnheim's 1933 book "Film" by four essays and brought that landmark work back into print as "Film as Art". Now nearly fifty years after that re-edition, this book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium's early limitations: no sound, no color, and no three-dimensional depth.
Contents
1957 A Personal Note
1933 Selections Adapted from Film
1 Film and Reality
2 The Making of a Film
3 The Content of the Film
4 The Complete Film
1933 The Thoughts That Made the Picture Move
1934 Motion
1935 A Forecast of Television
1938 A New Laocoon: Artistic Composites and the Talking Film