- ホーム
- > 洋書
- > 英文書
- > Performing Arts
基本説明
Completely revised and renewed in full colour, this new edition of the innovative and widely acclaimed Theatre Histories offers overviews of theatre and drama in may world cultures and periods together with case studies demonstrating the with case studies demonstrating the methods used by today's theatre historians.
Full Description
This new edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers overviews of theatre and drama in many world cultures and periods together with case studies demonstrating the methods and interpretive approaches used by today's theatre historians. Completely revised and renewed in color, enhancements and new material include: * a full-color text design with added timelines to each opening section * a wealth of new color illustrations to help convey the vitality of performances described * new case studies on African, Asian, and Western subjects * a new chapter on modernism, and updated and expanded chapters and part introductions * fuller definitions of terms and concepts throughout in a new glossary * a re-designed support website offering links to new audio-visual resources, expanded bibliographies, approaches to teaching theatre and performance history, discussion questions relating to case studies and an online glossary.
Contents
Authors Acknowledgements Prefacecultures Part I: Performance and theatre in oral and written cultures before 1700 1. Oral, ritual, and shamanic performance Case studies: Yoruba ritual as "play," and "contingency" in the ritual process Intepretive approach Theories of play and improvisation Korean Shamanism and the power of speech Interpretive approach Speech act theory 2. Religious and civic festivals: Early drama and theatre in context Case studies: Classical Greek theatre: Looking at Oedipus Interpretive approach Cognitive spatial relations Christians and Moors: Medieval performance in Spain and the New World Interpretive approach Cultural hierarchy 3. Early theatre in the court, temple, and marketplace: Pleasure, power, and aesthetics Case studies: Plautus's plays: What's so funny? Interpretive approach, Part I Henri Bergson's theory of laughter Interpretive approach, Part 2 Bergson's theory in historical perspective Kuttiyattam Sanskrit theatre of India: Rasa-bhava aesthetic theory and the question of taste Interpretive approach Reception theory Case study: Kathakali dance-drama: Divine "play" and human suffering on stage Interpretive approach Ethnography and history The Silent Bell: The Japanese no play, Dojoji Interpretive approach Feminist and gender theory, modified for medieval Japan Part II: Theatre and print cultures, 1500-1900 4. Theatre and the state, 1600-1900 Case studies: Moliere and carnival laughter Interpretive approach Mikhail M. Bakhtin's concept of the carnivalesque Kabuki and bunraku: Mimesis and the hybrid body Interpretive approach Mimesis, hybridity, and the body Shakespearean sexuality in Twelfth Night Interpretive approach Queer theory 5. Theatres for knowledge through feeling, 1700-1900 6. Theatre, nation, and empire, 1750-1900 Case studies: Theatre iconology and the actor as icon: David Garrick Interpretive approach Cultural studies and theatre iconology Theatre and hegemony: Comparing popular melodramas Interpretive approach Cultural hegemony 6. Theatre, nation, and empire, 1750-1900 Case studies: Friedrich Schiller's vision of aesthetic education and the German dream of a national theatre Interpretive approach Studies in national/cultural identity The Playboy riots: Nationalism in the Irish theatre Interpretive approach Cognitive linguistics Part III: Theatre in modern media cultures, 1850-1970 7. Theatres of popular entertainment, 1850-1970 Case studies: "Blacking up" on the U.S. stage Interpretive approach Reification and utopia in popular culture British pantomime: How "bad" theatre remains popular Interpretive approach Phenomenology and history 8. Theatres of the avant-garde and their legacy, 1880-1970 Case studies: Psychological and sociological training for the actor Interpretive approach Cognitive psychology Discoursing on desire: Desire Under the Elms in the 1920s Interpretive approach Discourse theory 9. Modernism in drama and performance, 1890-1970 Case studies: Ibsen's A Doll House: If Nora were a material girl Interpretive approach Cultural materialism Modernism in Chekhov, Pirandello, and Beckett Interpretive approach Comparative analysis 10. Theatres for reform and revolution, 1880-1970 Case studies: Social drama in Kerala, India: Staging the "revolution" Interpretive approach Politics, ideology, history, and performance Brecht directs Mother Courage Interpretive approach Semiotics Part IV: Theatre and performance in the age of global communications, 1950 to the present 11. Rich and poor theatres of globalization Case studies: The vortex of Times Square Interpretive approach Vortices of behaviour Athol Fugard: Theatre of witnessing in South Africa Interpretive approach Social justice and the artist 12. Director, text, and performance in the postmodern world Case studies: The crisis of representation and the authenticity of performance: Antonin Artaud and Jacques Derrida Interpretive approach Deconstruction Global Shakespeare Interpretive approach Postcolonial criticism 13. Interculturalism, hybridity, tourism: The performing world on new terms Case studies: Whose Mahabharata is it anyway? The ethics and aesthetics of intercultural performance Interpretive approach The historian between two views of intercultural performance Imagining contemporary China: Gao Xingjian's Wild Man in post-Cultural Revolution China Interpretive approach Theories of national identity Backstage/frontstage: Ethnic tourist performances and identity in "America's Little Switzerland" Interpretive approach Sociological theories of tourism and everyday performance Glossary Index
