プライムタイムのテレビ・アニメ<br>Drawn to Television : Prime-Time Animation from the Flintstones to Family Guy (The Praeger Television Collection)

個数:

プライムタイムのテレビ・アニメ
Drawn to Television : Prime-Time Animation from the Flintstones to Family Guy (The Praeger Television Collection)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 208 p.
  • 言語 ENG
  • 商品コード 9780275990190
  • DDC分類 791.4575

基本説明

Traces the history of prime-time animation from The Flintstones' initial extension of Saturday mornings to Family Guy and South Park's late-night appeal in the 21st century.

Full Description

Since late evening cartoons first aired in 1960, prime-time animated series have had a profound effect on American television and American culture at large. The characters and motifs from such shows as The Flintstones and The Simpsons are among the best-known images in world popular culture; and tellingly, even series that have not done well in prime time—series like The Jetsons, for instance—have yielded similarly iconic images. The advent of cable and several new channels devoted exclusively to animated programming have brought old series back to life in syndication, while also providing new markets for additional, often more experimental animated series. Even on the conventional networks, programs such as The Flintstonesand The Simpsons, not to mention Family Guy and King of the Hill, have consistently shown a smartness and a satirical punch that goes well beyond the norm in network programming. Drawn to Television traces the history of prime-time animation from The Flintstones initial extension of Saturday mornings to Family Guy and South Park's late-night appeal in the 21st century. In the process, it sheds a surprising light on just how much the kid inside us all still has to say.

Drawn to Television describes the content and style of all the major prime-time animated series, while also placing these series within their political and cultural contexts. It also tackles a number of important questions about animated programming, such as: how animated series differ from conventional series; why animated programming tends to be so effective as a vehicle for social and political satire; what makes animated characters so readily convertible into icons; and what the likely effects of new technologies (such as digital animation) will be on this genre in the future.

Contents

ContentsContentsContentsIntroduction: A Very Brief History of Prime-Time Animation ix1Animation Comes to Prime Time: The Case of The Flintstones 12The Sixties Animation Explosion: The Flintstones Fallout 213Animation's New Age: Meet The Simpsons 474Family Guys from King of the Hill to American Dad 695Beyond the Family Sitcom: Prime-Time Animation Seeks New Formats 1036You Can't Do That on Television: The Animated Satire of South Park 1257Pushing the Animated Envelope 157Postscript: Prime-Time Animation in American Culture 185Index 187