Horrorism : Naming Contemporary Violence (New Directions in Critical Theory)

個数:
  • ポイントキャンペーン

Horrorism : Naming Contemporary Violence (New Directions in Critical Theory)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 168 p.
  • 言語 ENG
  • 商品コード 9780231144568
  • DDC分類 303.6

基本説明

New in paperback. Hardcover was published in 2008. Adrian Cavarero, one of the world's most provocative feminist theorists and political philosophers, introduces a new word - horrorism - to capture the experience of violence. Cavarero locates horrorism in the philosophical, political, literary, and artistic representations of defenseless and vulnerable victims, and she forges a link between horror, extermination, and massacre, especially in the Nazi death camps.

Full Description

Words like "terrorism" and "war" no longer encompass the scope of contemporary violence. With this explosive book, Adriana Cavarero, one of the world's most provocative feminist theorists and political philosophers, effectively renders such terms obsolete. She introduces a new word--"horrorism"--to capture the experience of violence. Unlike terror, horrorism is a form of violation grounded in the offense of disfiguration and massacre. Numerous outbursts of violence fall within Cavarero's category of horrorism, especially when the phenomenology of violence is considered from the perspective of the victim rather than that of the warrior. Cavarero locates horrorism in the philosophical, political, literary, and artistic representations of defenseless and vulnerable victims. She considers both terror and horror on the battlefields of the Iliad, in the decapitation of Medusa, and in the murder of Medea's children.
In the modern arena, she forges a link between horror, extermination, and massacre, especially the Nazi death camps, and revisits the work of Primo Levi, Hannah Arendt's thesis on totalitarianism, and Arendt's debate with Georges Bataille on the estheticization of violence and cruelty. In applying the horroristic paradigm to the current phenomena of suicide bombers, torturers, and hypertechnological warfare, Cavarero integrates Susan Sontag's views on photography and the eroticization of horror, as well as ideas on violence and the state advanced by Thomas Hobbes and Carl Schmitt. Through her searing analysis, Caverero proves that violence against the helpless claims a specific vocabulary, one that has been known for millennia, and not just to the Western tradition. Where common language fails to form a picture of atrocity, horrorism paints a brilliant portrait of its vivid reality.

Contents

Translator's Note Acknowledgments Introduction 1 - Etymologies: "Terror"; or, On Surviving 2 - Etymologies: "Horror"; or On Dismembering 3 - On War 4 - The Howl of Medusa 5 - The Vulnerability of the Helpless 6 - The Crime of Medea 7 - Horrorism; or, On Violence Against the Helpless 8 - Those Who Have Seen the Gorgon 9 - Auschwitz; or, On Extreme Horror 10 - Erotic Carnages 11 - So Mutilated that It Might Be the Body of the Pig 12 - The Warrior's Pleasure 13 - Worldwide Aggressiveness 14 - For a History of Terror 15 - Suicidal Horrorism 16 - When the Bomb is a Woman's Body 17 - Female Torturers Grinning at the Camera Appendix: The Horror! The Horror! Rereading Conrad Notes Bibliography