- ホーム
- > 洋書
- > 英文書
- > Literary Criticism
Full Description
More than Eliot or Pound, the career of Scottish poet Hugh MacDiarmid reflects the restless nature of the modern age. From his early opposition to poetry in Scots to the triumphant use of dialect in "Sangschaw"; from these exquisite lyrics to the long dynamic poems "A Drunk Man Looks at the Thistle" and "To Circumjack Cencrastus"; from the abandonment of Scots to the glacial, "scientific" English of the unassembled "Mature Art" - most critics have limited themselves to a single phase of MacDiarmid's career. This study attempts, in his own phrase to "circumjack" or "fully explicate" a troubling but brilliant author. Examining his earliest work, Herbert posits a symbolic structure which governs all MacDiarmid's periods, as well as explaining his need for ceaseless change. MacDiarmid emerges as a modernist of international stature, but also as a radical experimenter whose work anticipates post-modernist concerns.
Contents
Early prose and poems in English; "Sangschaw" and "Penny Wheep"; "A Drunk Man Looks at the Thistle"; "To Circumjack Cencrastus"; "Clann Albann" - "First Hymn to Lenin" and "Scots Unbound"; "Stony Limits"; "Mature Art I" - "The Kind of Poetry I Want", "The Read Lion", "Cornish Heroic Song"; "Mature Art II" - "Cornish Heroic Song", "In Memoriam James Joyce", "Impavidi Progrediamur".
