Faustina I and II : Imperial Women of the Golden Age (Women in Antiquity)

個数:

Faustina I and II : Imperial Women of the Golden Age (Women in Antiquity)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 272 p.
  • 言語 ENG
  • 商品コード 9780195379419
  • DDC分類 937.06

Full Description

The elder Faustina (c. 97 - 140 AD) was the wife of Antonius Pius and the aunt of Marcus Aurelius, and her more prominent daughter, Faustina II (130 - 175), the wife of Marcus Aurelius and the mother of Commodus. Bearing the same name, and both the wives of rulers, these women shed valuable light on the role of imperial women in in what is often considered the golden age of the Roman Empire.

Barbara Levick's Faustina I and II highlights the importance of these women to the internal politics of the Empire during this period and shows how they are links in a chain of elite Roman women for whom varying levels of recognition and even power were available. The Faustinae, as they are jointly called, come between the discreet Matidiae, the discreetly manipulative Plotina (Trajan's women), the philosophical Sabina (Hadrian's wife) and in the Severan dynasty Julia Domna, who has had a very high profile. In assessing their place in this chain, Levick will examine especially Faustina II's deep involvement in palace politics, her enhancement of her mother's position, and her possible role in the revolt of Avidius Cassius (175). This book will also bring together and display the material evidence for their lives and legacies. There is an abundance of inscriptions and coins that provide firm evidence for their public status in Rome, Italy, and various parts of the Empire. Portraiture is also examined, in particular to see how much Faustina I and II were identified by artists, and how close a precedent Faustina II was for Domna, as their titulature suggests she was. Overall, this learned study carefully balances the evidence to explain how these women were at once continuators of a dynasty and emblems of the ideals of Roman marriage, and yet also the target of rumors of infidelity and treason, with reputations that are often in stark contrast to those of their husbands.

Contents

Acknowledgments ; Maps ; Introduction ; 1. Sources ; 2. The Empresses and Women's Power ; 3. The Succession to Hadrian ; 4. The Faustinas as Empresses, 138-75 ; 5. Public and Private in the Dynasty ; 6. The Deified Faustinas: Association, Assimilation, and Consecration ; 7. Faustina's Children and the End of the Antonines ; Who's Who ; Family Trees ; Abbreviations ; Chronology ; Glossary ; Bibliography ; Indexes ; Persons ; Places and Peoples (with modern equivalents) ; General