ヘミングウェイ、フィッツジェラルド、フォークナーと流動化の小説 The Gun and the Pen : Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization

ヘミングウェイ、フィッツジェラルド、フォークナーと流動化の小説<br>The Gun and the Pen : Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization

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ヘミングウェイ、フィッツジェラルド、フォークナーと流動化の小説
The Gun and the Pen : Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization

Gandal, Keith

ウェブストア価格 ¥18,033（本体¥16,394）
Oxford University Press Inc（2008/08発売）
外貨定価 US$ 93.00
ポイント 163pt

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製本 Hardcover:ハードカバー版／ページ数 288 p.
言語 ENG
商品コード 9780195338911
DDC分類 813.509358

基本説明

New in paperback. Hardcover was published in 2008. A radical revision of 1920s literature, Gandal shows that Hemingway, Fitzgerald, and Faulkner were motivated, in their postwar novels, not by experiences of the horrors of WWI but rather their failure to have those experiecnes.

Full Description

Gandal contends that The Great Gatsby, The Sun Also Rises and The Sound and the Fury were all written by men who were greatly influenced by their shared frustration of not serving in the American military's colossal war effort. At the same time, these same authors also observed, among other startling developments, the Army's first egalitarian treatment of ethnic or hyphenated-Americans in regard to officer selection. The Great War mobilization shaped large-scale shifts in American life, including the meritocratic assignment of recruits to military rank based on intelligence testing, rather than Anglo-social and family background; an unprecedented military propaganda campaign aimed at fighting venereal disease and the redefinition of masculinity as chaste, chivalrous and athletic; the incarceration of tens of thousands of prostitutes as well as "promiscuous" women in an effort to police American female sexual behavior; and a dramatic but failed effort to ban sexual contact between American troops and French prostitutes. Mobilization Fiction involves a fundamental rethinking of these three novels, as well as other modernist postwar prose of the 1920s and 30s, in view of this essential history of the Great War mobilization.

Part I: Introduction ; Chapter 1 The Argument ; Chapter 2 Methodology and Scholarly Context ; Part II: ; Fitzgerald, Hemingway, Faulkner and the 1920s ; Chapter 3 The Great Gatsby and The Great War: ; Intelligence Testing, The Militarys New Man, and The Charity Girl ; Chapter 4 The Sun Also Rises and Mobilization Wounds: ; Joke Fronts, Military-School Wannabes, and Postwar Jewish Quotas ; Chapter 5 The Sound and the Fury and the Feebleminded ; Chapter 6 Post-Mobilization Romance: ; From Military Rejection to Modernist Tragedy and Symbolism ; Part III: ; The 1930s and After ; Chapter 7 Post-Mobilization Kinkiness: ; Barnes, West, Miller and the Militarys Frankness about Sex and Venereal Disease ; Chapter 8 The Sound and the Fury Redux and the End of the WWI Mobilization Novel ; Chapter 9 Afterword: Here We Go Again: ; WWII Mobilization Blues in William Burroughss Junky