Reflecting Senses : Perception and Appearance in Literature, Culture, and the Arts （Reprint 2011. 1995. VI, 369 S. 37 b/w ill. 23,5 cm）

Mitarbeit: Pape, Walter/ Burwick, Frederick

DE GRUYTER（1995発売）

• 製本 Hardcover:ハードカバー版／ページ数 369 p.
• 言語 ENG
• 商品コード 9783110145809

Description

(Short description)
No detailed description available for "Reflecting Senses".
(Table of content)
i-iv -- Contents -- Introduction -- Appearances and the Semiotics of Culture -- Suggestiveness or Interpretation: On the Vitality of Appearances -- From Maps to Cityscapes: Reactions to Modes of Spatial Representation -- What Is Wrong with Saint Peter's? Or, Diderot, Analogy and Illusion in Architecture -- Visual Perception and Verbal Representation in Eighteenth an Nineteenth Century Literature -- The Staging of the Gaze: Aesthetic Illusion and the Scene of Nature in the Eighteenth Century -- "Die Sinne triegen nicht": Perception and Landscape in Classical Goethe -- Reflections in the Mirror: Wordsworth and Coleridge -- Wordsworth, Coleridge, and Illusion -- Seeking the Visible World: Wordsworth's Real Illusions -- Sensory and Illusory Effects in Art, Music, and Dance -- The Death of the Artist and the Birth of Art History: Appearance, Concept, and Cultural Myth -- Instructive Games: Apparatus and the Experimental Aesthetics of Imposture -- Forked Tongues: Structural Illusions in Music -- Outside In: The Movement from Exterior to Interior Illusions in Dance -- Visual Metaphors and Textual Shadows -- The Selection of Pronouns in Spoken Language Production: An Illusion of Reference -- The Anthropological Persistence of the Aesthetic: Real Shadows and Textual Shadows, Real Texts and Shadow Texts -- Bibliography -- Notes on Contributors -- List of Illustrations -- Index -- 370
(Author portrait)
Walter Pape ist seit 1988 Professor für Neuere deutsche Literatur an der Universität zu Köln und forscht und publiziert seit vielen Jahren zu Ringelnatz.
(Author portrait)
Frederick Burwick, Professor Emeritus at UCLA, has taught courses on Romantic drama and directed student performances of a dozen plays.

Contents

i-iv -- Contents -- Introduction -- Appearances and the Semiotics of Culture -- Suggestiveness or Interpretation: On the Vitality of Appearances -- From Maps to Cityscapes: Reactions to Modes of Spatial Representation -- What Is Wrong with Saint Peter's? Or, Diderot, Analogy and Illusion in Architecture -- Visual Perception and Verbal Representation in Eighteenth an Nineteenth Century Literature -- The Staging of the Gaze: Aesthetic Illusion and the Scene of Nature in the Eighteenth Century -- „Die Sinne triegen nicht": Perception and Landscape in Classical Goethe -- Reflections in the Mirror: Wordsworth and Coleridge -- Wordsworth, Coleridge, and Illusion -- Seeking the Visible World: Wordsworth's Real Illusions -- Sensory and Illusory Effects in Art, Music, and Dance -- The Death of the Artist and the Birth of Art History: Appearance, Concept, and Cultural Myth -- Instructive Games: Apparatus and the Experimental Aesthetics of Imposture -- Forked Tongues: Structural Illusions in Music -- Outside In: The Movement from Exterior to Interior Illusions in Dance -- Visual Metaphors and Textual Shadows -- The Selection of Pronouns in Spoken Language Production: An Illusion of Reference -- The Anthropological Persistence of the Aesthetic: Real Shadows and Textual Shadows, Real Texts and Shadow Texts -- Bibliography -- Notes on Contributors -- List of Illustrations -- Index -- 370