Nordic Explorations : Film before 1930 (Stockholm Studies in Cinema)

個数:

Nordic Explorations : Film before 1930 (Stockholm Studies in Cinema)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 296 p.
  • 言語 ENG
  • 商品コード 9781864620559
  • DDC分類 791.4309

Full Description

"Nordic Explorations: Film Before 1930" includes twenty previously unpublished essays written for the 1999 retrospective of Nordic cinema at la Giornate del Cinema Muto in Italy. It brings together leading research on early cinema in Denmark, Finland, Norway and Sweden, and includes essays on some of the major figures in Nordic cinema including Dreyer, Christensen, Sjostrom and Stiller. Much current research in Nordic film before 1930 is also represented in this anthology with studies of the Norwegian travel genre, Nordic animated film, the relation of Nordic cinema to German and Russian film, the development of educational cinema and industrial film, as well as studies of individual films, filmmakers and national styles, and the relation of the medium to other forms of popular entertainment.The essays make a timely contribution to the more general study of cinema, afford authoritative and stimulating insight into research in the field and challenge many assumptions regarding Nordic cinema before 1930.

Contents

Introduction1. Denmark A Small Danish Player in a Big Market: A/S Filmfabriken Danmark's Output in Russia, 1913-1917, by Jan Nielsen; Nordisk Films Kompagni and the First World War, by Thomas C. Christensen; Red Satan: Carl Theodor Dreyer and the Bolshevik Threat, by Casper Tybjerg; Benjamin Christensen in Germany: The Critical Reception of His Films in the 1910s and 1920s, by Ib Monty; Palladium and the Silent Films with 'Long and Short', by Marguerite Engberg; A la recherche des films perdus: A Substantial Find of Early Danish Cinema, by Bo Berglund2. FinlandBorn Under the Sign of the Scarlet Flower: Pantheism in Finnish Silent Cinema, by Antti Alanen; Silents for a Silent People, by Peter von Bagh3. NorwaySisters of Cinema: Three Norwegian Actors and their German Film Company, 1917-1920, by Gunnar Iversen; Travel Films in Norway: The Persistence of the 'View' Aesthetic, by Bjorn Sorenssen; Caricatures, Cartoons and Advertisements: The Pioneers of Nordic Animated Film, by Gunnar Strom4. Sweden Exchange and Exhibition Practices: Notes on the Swedish Market in the Transitional Era, by Jan Olsson; Educational Cinema and Censorship in Sweden, 1911-1921, by Asa Jernudd; Seeing the World with Different Eyes, or Seeing Differently: Cinematographic Vision and Turn-of-the-Century Popular Entertainment, by John Fullerton; Towards Classical Narration? Georg af Klercker in Context, by Astrid Soderbergh Widding; 'A Dangerous Pledge': Victor Sjostrom's Unknown Masterpiece, Masterman, by Tom Gunning; Spearhead in a Blind Alley: Viking Eggeling's Diagonal Symphony, by Gosta Werner; Snow-White: The Aesthetic and Narrative Use of Snow in Swedish Silent Film, by Marina Dahlquist; Victor Goes West: Notes on the Critical Reception of Sjostrom's Hollywood Films, 1923-1930, by Bo Florin; Industrial Greta: Some Thoughts on an Industrial Film, by Mats Bjorkin