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基本説明
Reevaluates the history of modern U.S. drama, showing that at mid-century it turned in the direction of a poststructuralist "disillusionment with mimesis" or mimicry.
Full Description
This work examines the history of US drama and how at mid-century, it turned in the direction of a poststructuralist mimicry. It explores the complexities of mimetic and realistic readings and develops connections to the writings of Derrida, De Man, Foucault, Brecht and Benjamin.