基本説明
Shows how and why the cultural authority of modern intellectuals is mutually bound up with the changing face of popular taste in America over the past fifty years.
Full Description
The intellectual and the popular: Irving Howe and John Waters, Susan Sontag and Ethel Rosenberg, Dwight MacDonald and Bill Cosby, Amiri Baraka and Mick Jagger, Andrea Dworkin and Grace Jones, Andy Warhol and Lenny Bruce. All feature in Andrew Ross's lively history and critique of modern American culture. Andrew Ross examines how and why the cultural authority of modern intellectuals is bound up with the changing face of popular taste in America. He argues that the making of "taste" is hardly an aesthetic activity, but rather an exercise in cultural power, policing and carefully redefining social relations between classes.
Contents
Acknowledgments, No Respect: An Introduction, 1. Reading the Rosenberg Letters, 2. Containing Culture in the Cold War, 3. Hip, and the Long Front of Color, 4. Candid Cameras, 5. Uses of Camp, 6. The Popularity of Pornography, 7. Defenders of the Faith and the New Class, Notes, Index
