Music from behind the Bridge : Steelband Spirit and Politics in Trinidad and Tobago

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Music from behind the Bridge : Steelband Spirit and Politics in Trinidad and Tobago

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 328 p./サイズ 34 illus.
  • 言語 ENG
  • 商品コード 9780195321234
  • DDC分類 785.680972983

Full Description

A symbol of Trinidadian culture, the steelband has made an extraordinary transformation since its origins-from junk metal to steel orchestra, and from disparaged underclass pastime to Trinidad and Tobago's national instrument. Now, Shannon Dudley gives the first discerning look at the musical thinking that ignited this transformation, and the way it articulates with Afro-Trinidadian tradition, carnival, colonial authority, and nationalist politics. Music from behind the Bridge tells the story of the steelband from the point of view of musicians who overcame disadvantages of poverty and prejudice with their extraordinary ambition. Literally referring to the poor neighborhoods nestled in the hills bordering Port of Spain to the East, "Behind the Bridge" is also a metaphor for conditions of social disadvantage and cultural resistance that shaped the steelband movement in the various Afro-Trinidadian communities where it first took root.

The book further explores the implications of the steelband's "nationalization" in post-independence Trinidad and Tobago, and contemporary steelband musicians' preoccupation with the formally adjudicated annual Panorama competition. In discussing the intersection of musical thinking, festivity, and politics, this book connects important questions about the history of the steelband to general questions about the relation between popular culture and nationalism.

Contents

Dedication ; Acknowledgements ; Chapter One Introduction ; Chapter Two The Steelband Movement and Music ; Chapter Three An Unlikely Instrument ; Chapter Four The National Instrument ; Chapter Five Dropping the Bomb ; Chapter Six A Showcase for Pan ; Chapter Seven Rise of the Arranger ; Chapter Eight Community Participation ; Chapter Nine Contest and Control ; Chapter Ten Writing Their Own Tunes ; Chapter Eleven From Panman to Pannist ; Chapter Twelve Popular culture and Nationalism ; Appendix I: Instruments ; Appendix II: Repertoire ; Appendix III: Panorama Winners ; Bibliography ; Recordings Cited ; Index

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