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Full Description
An investigation into the connections between the York Plays, religious observance, and the role played by the city itself.
WINNER of the 2007 David Bevington Prize
The York Play is the earliest near-complete English civic mystery cycle. It evolved constantly throughout its long performance history, but the text that was recorded in the YorkRegister shows that it was already a mature and elaborate civic festival by the time it was written down.
This study uncovers the Cycle's connection with worship in York, in the sense both of devotional practice and of civichonour, informing a particular period in the cultural history of the city. The pageants in the Register show in their different ways how the community which devised and performed the Cycle regarded the celebration of the great summer feast of Corpus Christi. Moreover the principles of selection that give the Cycle its structure reflect the broader pattern of the liturgical calendar, with its other feasts and fasts. The Cycle bears witness not only to thepractices of religious observance in York, but also to the ecclesiastical politics in which the city was caught up from the very beginning of the fifteenth century.
PAMELA KING is Professor of Medieval Studies at the University of Bristol.
Contents
Introduction: Civic Drama and Worship
The York Cycle and Corpus Christi
From after Epiphany to Septuagesima
Septuagesima and Organistation of the Cycle
Quadragesima to Palm Sunday
The Christmas Season
Holy Week and After
The Sacraments of the Church
Feast of Fools?
Select Bibliography
Index of Liturgical References
General Index
